:: about ::
occupation:full-time mom + wife
interests:mod, modern, futuristic + space-age design, technology, music, books, blogs + adventures
resides:sixties vintage prefab in silicon valley between yahoo + google since summer 2005, but we lived in a tiny apartment in oakland,ca before that
:: links ::
christy's modern links
:: archives ::
09.2004 01.2006 02.2006 03.2006 04.2006 05.2006 06.2006 07.2006 08.2006 09.2006 10.2006 11.2006 12.2006 01.2007 02.2007 03.2007 04.2007 05.2007 06.2007 07.2007 08.2007 09.2007 10.2007 11.2007 12.2007 01.2008 02.2008 03.2008 04.2008 05.2008 06.2008 07.2008 08.2008 09.2008 10.2008 11.2008 12.2008 01.2009 02.2009 03.2009 04.2009 05.2009 06.2009 07.2009 08.2009 09.2009 10.2009 11.2009 12.2009 01.2010 03.2010 06.2010 07.2010 10.2010 11.2010 01.2011 02.2011 03.2011 04.2011 05.2011 06.2011 07.2011 09.2011 10.2011 11.2011 01.2012 02.2012 04.2012 05.2012 06.2012 07.2012 08.2012 09.2012 10.2012 11.2012 12.2012 01.2013 02.2013 03.2013 04.2013 05.2013 07.2013 08.2013 09.2013 10.2013 11.2013 02.2014 03.2014 04.2014 05.2014 06.2014 07.2014 08.2014
check out my archives for more mod stuff!
:: subscribe :: feed email +modmomon
:: mod*pals ::
:: happy mother's day :: optimist
:: happy father's day ::
Eadward Muybridge :: father of modern motion picture technology :: zoopraxiscope
zoopraxiscope modern movie technology was 1st displayed to audiences in Palo Alto!
i learned this while researching the Palo Alto Int'l Film Festival that starts tonight.
Governor Stanford wanted to see how horses 4 hoofs touched the ground in a run.
Eadward Muybridge, father of the motion picture film, "invented his projection device, the Zoöpraxiscope, in summer 1879. This device built on a long global history of interest in image projection dating back to Plato, the Han dynasty and the Ancient Egyptians. However it also extended a strong 19th century interest in the phenomenon of vision itself, which had already resulted in the production of many new projection and moving image devices. In fact, Muybridge's Zoöpraxiscope served to amalgamate three existing visual technologies popular in the 19th Century: photography, the zoetrope and the magic lantern.
Zoetropes (spinning drums) and phenakistiscope (spinning discs) had already produced a sort of pictorial animation, although the resultant moving image could not be projected. Conversely, magic lanterns had been projecting images ever since the 17th Century and had even begun to project photographs. But in this case truly lifelike motion had not been achieved.
What Muybridge did was to borrow the animated illusion of movement from moving image toys and combine this with the capacity for projection embodied in the magic lantern. He then adapted pictures from his motion photography and created a device which for the first time could project sequences of rapid movement informed by the camera onto a screen. To many theorists, the Zoöpraxiscope therefore represents a pivotal moment in the history of the moving image - a missing link between slide projection and cinema.
What the Zoöpraxiscope represented was an important progression in Muybridge's ongoing representation of motion and time. It reflects the beginning of a paradigm shift in the way modern time was being experienced and negotiated by artist and audience. This was a monumental development only fully realised with the rise of the motion picture film..."
via Eadward Muybridge :: Defining Modernities
Palo Alto Int'l Film Festival schedule
by ~mod*mom~ at 27.9.12 Â©